IslandMix

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Anything is possible under Our Sun

Source: http://www.amazon.com/gp/product/080...books&v=glance

Kindred utilizes the devices of science fiction in order to answer the question "how could anybody be a slave?" A woman from the twentieth century, Dana is repeatedly brought back in time by her slave-owning ancestor Rufus when his life is endangered. She chooses to save him, knowing that because of her actions a free-born black woman will eventually become his slave and her own grandmother. When forced to live the life of a slave, Dana realizes she is not as strong as her ancestors. Unable to will herself back to her own time and unable to tolerate the institution of slavery, she attempts to run away and is caught within a few hours. Her illiterate ancestor Alice succeeds in eluding capture for four days even though "She knew only the area she'd been born and raised in, and she couldn't read a map." Alice is captured, beaten, and sold as a slave to Rufus. As Dana is sent back and forth through time, she continues to save Rufus's life, attempting during each visit to care for Alice, even as she is encouraging Alice to allow Rufus to rape her and thus ensure Dana's own birth. As a twentieth-century African-American woman trying to endure the brutalities of nineteenth-century slavery, Dana answers the question, "See how easily slaves are made?" For Dana, to choose to preserve an institution, to save a life, and nurture victimization is to choose to survive.


Book Description

Dana, a modern black woman, is celebrating her twenty-sixth birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned to save him. Dana is drawn back again and again for Rufus, yet each time the stay grows longer and more dangerous until it is uncertain whether or not Dana"s life will end, long before it has even begun.


"In Kindred Octavia Butler creates a road for the impossible, and a balm for the unbearable. It is everything the literature of science fiction can be."
—Walter Mosley

"[Kindred] is a shattering work of art with much to say about love, hate, slavery and racial dilemmas, then and now."
—Los Angeles Herald Examiner

"Truly terrifying. . . . A book you"ll find hard to put down."
¯Essence

"Butler"s books are exceptional. . . . She is a realist, writing the most detailed social criticism and creating some of the most fascinating female characters in the genre . . . real women caught in impossible situations."
¯The Village Voice

"Butler"s literary craftsmanship is superb."—The Washington Post Book World

Source: http://www.amazon.com/gp/product/044...Fencoding=UTF8

"Wild Seed" is one of a series of superb science fiction novels by Octavia E. Butler. This story begins in 1690, and spans Africa and America. At the heart of "Wild Seed" is the enigmatic relationship between two powerful, and seemingly immortal characters: Doro, a sort of energy being who transfers from one host body to another, killing his hosts in the process; and Anyanwu, a shapeshifter who can assume forms of any species, and of either gender.

"Wild Seed" is both a psychologically perspective character study and a profound meditation on power and desire. Butler's philosophical canvas takes in such controversial issues as slavery, race, reproduction, and gender. In addition to being a superb example of the science fiction novel, "Wild Seed" is a stunning historical novel which expands the boundaries of African-American literature. As such, it would make a compelling companion text to such "canonical" novels as Toni Morrison's "Beloved." Also recommended: any of Butler's other outstanding novels, and her collection "Bloodchild and Other Stories."

Source: http://www.amazon.com/gp/product/044...Fencoding=UTF8


Will humans ever split into separate species? If so, what will be the cause and how will it happen? Octavia Butler addresses these questions in this fine novel. I was about to say that it was one of her best, but then her books usually divide themselves for me into the excellent and the truly outstanding, and there are more of the latter than the former. The quality of her fiction is better than any scifi writer I have ever read.

Her characters, even inhuman mutants, are entirely believable as they embark on the strangest of journeys into the unknown. And it is so well imagined as to be completely believable. Usually, I have to fight to stop thinking, "OK this is someone just thinking this up." Butler puts you into these fantastic worlds. So the heroine of this novel enters into a struggle with Doro, the vampiric mind-entity that has bred humans with purpose for thousands of years. As the culmination of his efforts - a theme in sci fi from Frankenstein but since then never so freshly done as Butler has - she will either grow beyond him or be destroyed.

Butler understands power so well, not so much from the point of view of those accustomed to wielding it as from those who must submit or die trying to escape it. Outstanding.

Source: http://www.amazon.com/gp/product/044...lance&n=283155


Reviewer: Glen Engel Cox "www.engel-cox.org" (Washington, DC USA)

The last novel in her Patternist series to be published, it shares a lot more in common with her Xenogenesis trilogy in tone and subject material. Of the Patternist novels that I have read, that group seems more oriented towards questions of power and dominance--basically, who is stronger, and what are the responsibilities of that role. The series actually begins with Wild Seed, which explains the character of Doro, who then sees a success in his human breeding program in Mind of My Mind. Clay's Ark is next in the timeline, but it only refers obliquely to the existence of a psionic pattern (late in the novel, it explains the macguffin for the faster than light drive used by the spaceship that returns to Earth), but it mainly concerns the alien organism that creates the Clayarks. The next book, Patternmaster, shows these two groups--the Patternists and the Clayarks--millennia later, both almost unrecognizable as human.

It is this evolution away from humanity that becomes the main theme of Xenogenesis, but it is in the forefront of Clay's Ark. The difference, however, is that this evolution is almost entirely negative here, whereas in Xenogenesis there's an ambiguity to it that makes it much more complex than just a good/bad issue. Change happens (to quote Butler's more recent work). Why is it negative here in Clay's Ark? Because of the mindlessness of the extraterrestrial interaction. As humans, thinking and feeling humans, we see ourselves as ratiocentric--that is, we value the power of logic and rational thought and discount the so-called "animal" urges of instinct and biological compulsion. This dichotomy makes up the conflict between the two groups in Patternmaster: the Patternists are pure thought, ruled by the power of the mind, whereas the Clayarks are all biological urges, roaming free, living life in the here and now. The human race has bifurcated, and although a "mute" semblance remains, humans are portrayed as beings where both mind and body are weak and dull. In Xenogenesis, Butler changes this, and the organism that is entirely mutable is portrayed as the strongest.

Because it contains a lot of adventure--there's kidnapping and close escapes and gunfire and more violence than a Fox Saturday night-- Clay's Ark hides a lot of this underlying thought. Only the struggle that Eli continues to endure breaks this action-orientation; the rest of the characters are driven either by the disease or their human nature to respond to the events. While not as hopeful or thoughtful as her later work, I liked this one tremendously.

Source: http://www.amazon.com/gp/product/044...lance&n=283155


If you are a fan of Ms. Butler's writings, you do not need a review to prompt you to read her works. If you are NOT a fan - pick up any one of her books and you will be transported to a world as vivid as the one you wake up to every morning! Ms. Butler's books capture your attention from the first page and keeps it there until the last word is read . . .